The life of the Geraldi family, owner of a pasta factory, is upset by the mysterious Barbara suicide during Anna's granddaughter's birthday party. In fact, she was pregnant, and she had been pregnant in a college in London, convinced her father was her uncle Andrea. Someone is plotting to destroy the Geralds and does everything to get Andrea into it, crumbling it using Barbara under the influence of drugs, sending photos of the girl's baby to his family.

Lorenzo Fabbri is a guy who is kidnapped and imprisoned in a cave of Aspromonte. After trying every way to achieve liberation of his son, the mother Elena decides to give life to a desperate protest: enchains on the square in a Calabrian village putting up a sign saying "Free My Son." A dramatic challenge of citizens and the impotence of the police.

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During an operation in Afghanistan, in an ambush member of Italian secret service is captured. To free him they rely on Rashid, a Lebanese warlord, but Rosso will have to deal with the protection of Raniah, Rashid's wife, and his daughter.

A bomb blows up in Milan and five people die. After only three hours Ravida, the chief of the Secret Service, knows the name of the killer and that of his chief.

It was the Mafia (È Stato la mafia) is a book of 2014 written by Marco Travaglio and published by Chiarelettere . The publication of the book was preceded from the month of February 2013 an eponymous recitals staged by the same Travaglio who narrates in first person the story of negotiations between the state and the mafia, with interludes recited by actress Isabella Ferrari .

Starting from the end of the Second World War and for over forty years, the history of Albania was inextricably entwined with that of a single man. Enver Hoxha guided the country through ephemeral alliances and radical breaks with the status quo, driving him to adopt total isolation. A State Film shows us the forty-year-long Communist regime in Albania through material that the state produced to promote itself. Drawing entirely on often never-before-released archive footage – official propaganda films, footage from the regime’s private or reserved holdings – this film weds images and sound to portray a regime that used cinema as a tool of power. Just what do these same images tell us today?

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